| http://www.w3.org/ns/prov#value | - This approach is mirrored by Ohio's Mike Shiflet, whose Merciless album (Type) takes the age-old noise/avant-garde trope of manipulating and distorting pre-recorded tapes as well as conventional instruments such as guitar and synthesiser, transforming familiar sound sources into walls of incoherent, belligerent, saturated noise.
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