| http://www.w3.org/ns/prov#value | - ???The critique of the photograph as an objective document, the ways in which its meaning and context are manipulated (and how this is accepted as a particularly postmodern condition of a ???truthless??? society), the ways in which concrete or deconstructed art (whether that???s photography, theatre, performance or film) seems to imply its own truthfulness even as it opens a whole, wider range of
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