| http://www.w3.org/ns/prov#value | - These characteristics included, often allowing the two hands not to play together, playing with often excessive rubato at the whim of the performer, repeating certain passages even if unmarked, bringing out inner parts even if not marked, treating the dynamics and articulation such as accents and staccatos only as possible guidelines and to arpeggiate chords or not arpeggiate chords depending on t
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