| http://www.w3.org/ns/prov#value | - I do not know about that scholar, whether he wrote the article or read it, included in BFI's series of screenplays of films (he is where I saw how Welles put together what lines from what plays), but there is an article there that makes a similar argument--that there is a haunted feeling to the slightly disembodied voices, that any 'improvement' would only diminish the film.
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