| http://www.w3.org/ns/prov#value | - A period of extended composition followed, including such films as Mr. Skeffington (1944) and Objective, Burma! (1945).[12] A climactic scene in Objective, Burma! was scored fugally, and this would become one of Waxman's trademarks, returning in The Spirit of St. Louis (1957) and Taras Bulba (1962).[13]
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