| http://www.w3.org/ns/prov#value | - This latter strategy, it is argued, accounts for the uniqueness of such films as New York, New York and Raging Bull, where the former subverts the happy, rags-to-riches formula of the 1940s backstage musical by charting the personal and professional misfortunes of two musicians; and the latter, with its circumspect time frame and lack of biographical information and analysis of motivation, offers
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