| http://www.w3.org/ns/prov#value | - miliar, still remains alien to Tissot's academic concept of design.25 Comparable in their superficial likeness, the two pictures are an accurate gauge of the real distance Tissot stands from the advanced painting of his time, joined more by the strangely sour, brooding mood typical of the late sixties than by a common aesthetic.When Tissot began to paint in England, he continued his n
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