<http://webisa.webdatacommons.org/232806522>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/104548462>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/232806522> .
<http://webisa.webdatacommons.org/232806522>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<artnet.com> .
<http://webisa.webdatacommons.org/232806522>	<http://www.w3.org/ns/prov#value>	"It is nice to see the Whitney not retreating into formalism or return to beauty kinds of formulae -- though, it should be noted, the actual program includes a large helping of straight-ahead decorative painting, e.g. Verne Dawson, Suzan Frecon, Maureen Gallace, Jim Lutes." .