<http://webisa.webdatacommons.org/383153345>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/456283131>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/383153345> .
<http://webisa.webdatacommons.org/383153345>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<classicsonline.com> .
<http://webisa.webdatacommons.org/prov/453689172>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/383153345> .
<http://webisa.webdatacommons.org/383153345>	<http://www.w3.org/ns/prov#value>	"In fact, like Bach and other German composers of the time, Handel offers a synthesis of Italian, French and German styles, with an operatic leaning towards the first of these." .