<http://webisa.webdatacommons.org/277267735>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/52964494>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/277267735> .
<http://webisa.webdatacommons.org/prov/213640667>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/277267735> .
<http://webisa.webdatacommons.org/277267735>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<douxreviews.com> .
<http://webisa.webdatacommons.org/277267735>	<http://www.w3.org/ns/prov#value>	"-- On the Glory-plot front, Glory now knows, unfortunately, that the key is a person. -- Michelle Tractenberg's Dawn has really grown on me, and I think she and Sarah Michelle Gellar play extremely well off each other." .