<http://webisa.webdatacommons.org/151571348>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/151571348>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<worldmag.com> .
<http://webisa.webdatacommons.org/prov/227984766>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/151571348> .
<http://webisa.webdatacommons.org/151571348>	<http://www.w3.org/ns/prov#value>	"By deemphasizing chronology and emphasizing highlights, it masks both the sadness and the extent of a talented entity's decline and as such is of a piece with such other recent examples of misleading if enjoyable surface skimming as the Beatles' One and Elvis Presley's 30 #1 Hits." .