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There is a serious question here about how we should evaluate this mode of art and its hold on the art world, but Bagge does not ask or answer it. (Neither, so far, has Brian K. Vaughan, who raises the same issue in less histrionic but not especially more nuanced terms over in current issues of Ex Machina.) A more effective dismissal, it seems to me, would engage this kind of art as art, challenge
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