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  • How Oddjob, in applying to her body the layer of golden paint that kills her, plays the role of a sort of anti-Pygmalion, transforming her from a living, thinking person into a literal idol, robbing her of agency and identity even as he enhances her natural physique in much the same way Robert Brownjohn and Maurice Binder reduce the women in their title sequences to anonymous, interchangeable silh
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