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  • Woods is obviously very familiar with the songs, most of which he has played for decades, including standards like it is You or No One (played in a breezy post-bop setting while retaining the flavor of an Irish jig), pieces from his days with Quincy Jones (including the Count Basie-like swinger Stockholm Sweetnin'), plus Jim McNeely's challenging Rosenwind, which also showcases a fiery solo b
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