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  • Goethe was not unaware of how much he didn't know but he was in thrall to an insidious habit; he invariably separated his intellectual deductions from the euphoria he experienced when confronted by the category of art he had consented to admire on principle: the Classical, which, to judge by his rare superlatives, had prepared him only for such painters as Mantegna, Veronese, and Raphael.
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