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  • The artist cites The Science and Practice of Oil Painting, by Harold Speed (Chapman & Hall, London, England); The Academy and French Painting in the Nineteenth Century, by Albert Boime (Yale University Press, New Haven, Connecticut); A Manual of Oil Painting, by John Collier [who was a student of Alma-Tadema] (Cassell, London, England); and Creative Illustration, by Andrew Loomis (Bonanza Books, N
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