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  • The album???s opening third is especially strong with three exceptional songs coming after a brief prelude of bird twitters and street noises. ???Rear Moth??? begins with a doubled flute intro (reminiscent of Jethro Tull) followed by Durant???s buttery vocals set against a delectable array of acoustic bass, bells, sawing strings, and cymbals; the tune knocks about in an hypnotic 5/4 pattern that,
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