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  • Although the finale is notated in 3/4, it frequently cuts across this metre, and its structure is the most daring of all: hints at a fugal texture seem to suggest an imminent reprise, but the movement suddenly shifts into the coda and finishes with a cadential flourish.from notes by Adrian Thomas ??? 2009Cr????e en 1936 par l???Orchestre de la Radio polonaise plac?? sous la baguette de son chef re
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