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  • Alex Ross, The New Yorker's music critic, delivering The Royal Philharmonic Lecture 2010 on March 8 at London's Wigmore Hall, addressed an aspect of classical concert etiquette that non-initiates find puzzling and unnatural: The view that applauding between movements of a concerto, symphony or other multi-movement work is uncivilized behavior.The text of his talk (without the audio samples that we
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