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  • Although, there are a few studies which have tried to address the issue of female portraiture in some Nigeria home videos such as those done by Camela Garritano (1996), Onookome Okome (2004), and the duo Ebele Eko and Imoh Emenyi (2002), the justification for the study was because so much still needed to have been done in the area of female representations in the Nigerian videos, given that these
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