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  • See also David Abram, The Spell of the Sensuous (New York: Pantheon, 1996), pp. 241-250. [3] William Harris, The Poetry and Poetics of Amiri Baraka: The Jazz Aesthetic (Columbia: University of Missouri Press, 1985), pp. 109-110; Harris extracts portions of the text, from which I quote below.??? See also Harris???s interview with Baraka, where the poet agrees that his poem is a score and says he is
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