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  • Nearly always in Dutch painting and often in the works ofGiorgione or Titian, it is entirely independent of anythingdefinitely poetical in the subject, a kind of form and choice inworkmanship which is itself entirely satisfying, and is (as theGreeks would say) an end in itself.And so in poetry too, the real poetical quality, the joy of poetry,comes never from the subject but from an inventive hand
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