Natter believes it was the outrageousness of Klimt, who became one of the most important members of the Austrian art scene in the late 19th and early 20th centuries, which appealed to the mostly nouveaux-riches Jews seeking a new liberal identity in a city where another, thoroughly new-fangled Jew, Sigmund Freud, was in the ascendancy. ???They didn???t want to copy the aristocracy; they were more