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  • It was called honky tonk piano when white folks played the piano this way, except the measures were shorter and the times more like guitar strums, more 2/2s, 2/4s, rather than the more broad and expanded wingspans of Alex's or Mercy Dee's flights of rolling 12s that never flatten out to the 8-to-the-bar boogie beats of players like Albert Ammons or Meade Lux Lewis from Chicago.]Later in Los Ange
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