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  • This prejudice has, methinks, lead to an astonishing deafness to Berlioz's achievements as a contrapuntalist, particularly in his ability to use orchestration (and in some cases, physical space) to radically differentiate the lines of his counterpoint, and to his uncanny use of what he called intermittent sounds (yes, Virginia, I connect Berlioz to Cage.)*****I have also listened to some new mus
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