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  • Or his dreamlike Le Concert Champ??tre in the Louvre, once attributed to Giorgione, in which the same woman ??? depicted twice, including from behind, as if Titian wanted to record her entire physical presence ??? is the unashamedly naked attendant, the sexy yet docile companion, of two fully dressed men (this is a another picture Manet parodied ??? Le D??jeuner Sur L???Herbe).
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