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  • However, this frame in Trilby is a mask, a purely visual device not part of the film's story - while the doorways in The Blue Bird are part of that film's plot. (In terms of film theory jargon, the arched mask in Trilby is non-diegetic, i.e., not part of the story, while the doorways in The Blue Bird are diegetic, part of the story.) The visual effect in the two films is quite similar, though.
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