| http://www.w3.org/ns/prov#value | - Thefirst is to forge a middle ground that militates against closure between, onthe one hand, a critical practice grounded in close textual analysis thatsevers a film from the conditions of its production and circulation, oftendenying a film???s engagement with feminist and other politics, and, on theother, an auteurist approach that reads film, particularly that made by women,in terms of autobiogr
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