| http://www.w3.org/ns/prov#value | - Each piece is an example of the beauty of subtle sonic evolution, but perhaps none more so than the third and final piece, which builds slowly and inexorably from pastoral tranquility until the listener is engulfed in glorious, crashing waves of guitar-based distortion (using samples from Norway???s Lasse Marhaug and fellow New Zealander Campbell Kneale among others).
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