| http://www.w3.org/ns/prov#value | - Looking at the work of Gena Rowlands, Ben Gazzara, and Cassavetes himself in films such as Faces, A Woman under the Influence, and The Killing of a Chinese Bookie, Kouvaros shows how performative instances-gestures, words, or glances-open up intimations of dramas belonging neither strictly to these films nor to the everyday worlds in which they are immersed.A major reassessment of the filmmaker as
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