| http://www.w3.org/ns/prov#value | - More than architecture and sculpture, painting admits of two extremes: what is made the chief thing is (a) the depth of the subject-matter, i.e. religious and moral seriousness in the treatment and presentation of the ideal beauty of form, and (b), in the case of insignificant subjects chosen by the artist, the details of them as they actually are and the subjective skill of the artist in his work
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