| http://www.w3.org/ns/prov#value | - Today, Obayashi remembers mainly the impact that seeing the first films of the French New Wave, particularly Godard???s Breath????less, had on his and his compatriots??? sensibilities, although on the evidence of as early an Obayashi film as 1960???s Dandanko, Canadian filmmaker Norman McLaren, who???d been similarly exper??i??menting with mixing hand-drawn and collage animation with live-action,
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