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http://www.w3.org/1999/02/22-rdf-syntax-ns#type
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  • Freeman plays the scene delicately, like he knows that the sequence is a moment of passing the torch from one trilogy to the next, while Serkis throws himself back into the role wholeheartedly, with even more freedom and elasticity. (In the previous films, he performed on-set as reference and then recorded the motion capture in a blank stage called the volume, with the second performance then re
http://www.w3.org/ns/prov#wasQuotedFrom
  • indiewire.com