| http://www.w3.org/ns/prov#value | - Later redactions such as the Editio medicaea of 1614 rewrote chant so that melismas, with their melodic accent, fell on accented syllables.[46] This aesthetic held sway until the re-examination of chant in the late 19th century by such scholars as Wagner, Joseph Pothier]], and Andr?? Mocquereau, who fell into two camps.
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