| http://www.w3.org/ns/prov#value | - Of course, it would run into the same type of decisions/problems that beset any improviser, including to what degree, if at all, to echo (directly or obliquely) what one has seen/heard, taking into account the space, the use of silence (not yet an issue, so far in what I have experienced with this trio), etc. (I pause to note that, at least quasi-similar to post-Cageian listening to silence, looking
|
