| http://www.w3.org/ns/prov#value | - Most nineteenth-century editions do little more than transform the notation to modern practices with regard to clefs, accidentals, etc., but early twentieth-century editions, such as Guilmant (1922), introduce far more drastic interventions, adapting the works to the modern piano or organ, as well as to modern taste to the point that their texts really represents a kind of recomposition.
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