| http://www.w3.org/ns/prov#value | - According to the critic Sira Dambe, aspects of representation and power are addressed in this painting in ways closely connected with their treatment in Las Meninas".[6] In a series of portraits of the late 1630s and 1640s???all now in the Prado???Vel??zquez painted clowns and other members of the royal household posing as gods, heroes, and philosophers; the intention is certainly partly comic, a
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