| http://www.w3.org/ns/prov#value | - and isn't, as the program notes hint, Reich's agon with Bart??k, but also, in particularly with the string writing in the stubborn counterpoint of the first movement, with a body of mid-20th century American orchestral music that is largely unknown here (I am not enthusiastic about The Four Sections, but I came 'round to admiring the Reich formal stubbornness here, sticking with a grating string t
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