| http://www.w3.org/ns/prov#value | - ???plastic??? modelling of figures through light and shade, in favour of slabs of flat surface; (3) an abrupt discarding of the techniques so painstakingly acquired by artists such as Van Eyck and Holbein, Titian and Rubens, of precise naturalistic rendering of furs, silks, laces, flesh tones, metals, glass and numerous other surfaces; (4) a sharp assault, especially, but not only, through the use
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