| http://www.w3.org/ns/prov#value | - By giving red a centre stage in such paintings as Young Woman Laying on the Sofa beneath the Portrait of Cezanne (also known as a portrait of R. V. Idelson), 1929; Woman on a Sofa (also known as portrait of Irina Agapieva), 1930; or portrait of L. M. Erinburg-Kozintceff, 1932-1934, it seems that Falk is making Cezanne's objective almost unobtainable, and yet his colours never succumb to flatness.
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