| http://www.w3.org/ns/prov#value | - Brownlow's own enthusiasm is clear.The third is a personal, critical view, not of Napoleon but of another, earlier, Gance film, one that Brownlow refers to above as an influence on Eisenstein and others La Roue (1922 or 1923) by Kristin Thompson.She is tough on his melodrama, but who wasn't melodramatic in the Twenties?
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