| http://www.w3.org/ns/prov#value | - Good painting, after all, is a matter of analysis and synthesis; and we painters are so used to picking nature to pieces, studying her in detail, considering the undertones by themselves, for instance, while we hold the overtones in abeyance, that we find no difficulty in separating the chiaroscuro from the color, and temporarily assuming a color-blindness if we have it not.
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