PropertyValue
http://www.w3.org/1999/02/22-rdf-syntax-ns#type
http://www.w3.org/ns/prov#value
  • For all its cowardice and conservatism, Paris Blues is a world away from the artifice of Funny Face (1957) and Irma La Douce (1963) by which contemporary Paris was represented to the wider American public.
http://www.w3.org/ns/prov#wasQuotedFrom
  • popmatters.com