| http://www.w3.org/ns/prov#value | - Finding the right tone was crucial, we needed to create and sustain tension without pulling the viewer from the 'real life' aspect of the story and its characters.Brazilian-born Marcelo Zarvos burst onto the independent film landscape in the early 2000s with his scores featured in films such as KISSING JESSICA STEIN and THE DOOR IN THE FLOOR. Zarvos was named one of the 25 New Faces of Indie Film
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