| http://www.w3.org/ns/prov#value | - But I do wonder whether this is all there is, for artists later in their careers, when is starts to be useful and worthwhile to try to look at the trajectory of their work over three or four decades: where there is a large body of work, and where (as in Horn's case) it comprises a lot of different species of idea and presentation, what else could there be for the viewer other than big rooms and a l
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