| http://www.w3.org/ns/prov#value | - Artists claiming a platform of second-wave neo-Dadaism staged a series of Cabaret Voltaire-style performances replete with failed (black) paintings strewn about the walls and floors of Soho gallery space the SWISS INSTITUTE. What emerged, however, was a venue for hippies and hipsters alike to huddle attentively, attuned to great noise from Black Dice to Christian Marclay.
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