| http://www.w3.org/ns/prov#value | - Biographer Suzanne Finstad notes that a turning point in her life as an actress took place upon seeing the film A Streetcar Named Desire (1951): She was transformed, in awe of director Elia Kazan and of Vivien Leigh's performance ... [who] became a role model for Natalie.[24] Her roles raised the possibility that one's sensitivity could mark a person as a kind of victim, noted Tibbetts.[3]
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