| http://www.w3.org/ns/prov#value | - In the last couple of decades there has been a growing realisation that an understanding of screenwriting based on traditional Aristotelian notions of dramatic form falls short of explaining the rising popularity of a body of work represented by films such as Pulp Fiction (1995), Magnolia (1999), Donnie Darko (2000), Eternal Sunshine of the Spotless Mind (2004), Syriana (2005), Babel (2006), Shutt
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