| http://www.w3.org/ns/prov#value | - In 1926, Mary Smith argued that physiognomic likeness determined the type of clothes worn by the sitter and that the artist would arrange ??some sort of head-dress or costume which he fancied suited the type of face??.[25] Hacking notes that more recent studies give the personality rather than the features as the rationale behind this process: ??In fact, Wynfield??s use of costume sometimes relate
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