| http://www.w3.org/ns/prov#value | - In more recent times, for example, Mulvey has developed the notions of delay and deferral in film (with respect to, for example, the work of Kiarostami) as other, finer forms of resistance to the death-driven machine of conventional plotting ??? which, like each one of its shots, aims to exhaust itself, empty itself out completely, by the final frame or event.[23] Gilles Deleuze???s idea (develope
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